Update '22-SNG.usfm'

SNG 5-6 Poetry formatting

22-SNG.usfm

@@ -359,187 +359,188 @@
 \p
 \q
 \v 1 I have come into my garden, my sister, my bride;
-\q I have gathered my myrrh with my spice.
+\q2 I have gathered my myrrh with my spice.
 \q I have eaten my honeycomb with my honey;
-\q I have drunk my wine with my milk.
+\q2 I have drunk my wine with my milk.
 \p
 \q Eat, friends;
-\q drink and be drunk with love.
+\q2 drink and be drunk with love.
 
 \s5
 \p
 \q
 \v 2 I was asleep, but my heart was awake.
-\q There is the sound of my beloved knocking and saying,
+\q2 There is the sound of my beloved knocking and saying,
-\q "Open to me, my sister, my love, my dove, my perfect one,
+\q "Open to me, my sister, my love, 
+\q2 my dove, my perfect one,
 \q for my head is wet with dew,
-\q my hair with the night's dampness."
+\q2 my hair with the night's dampness."
 
 \s5
 \q
 \v 3 I have taken off my robe; must I put it on again?
-\q I have washed my feet; must I get them dirty?
+\q2 I have washed my feet; must I get them dirty?
 \q
 \v 4 My beloved put in his hand through the opening of the door latch,
-\q and my heart was stirred up for him.
+\q2 and my heart was stirred up for him.
 
 \s5
 \q
 \v 5 I got up to open the door for my beloved;
-\q my hands were dripping with myrrh,
+\q2 my hands were dripping with myrrh,
 \q my fingers with moist myrrh,
-\q on the door handle.
+\q2 on the door handle.
 
 \s5
 \q
 \v 6 I opened the door for my beloved,
-\q but my beloved had turned and gone.
+\q2 but my beloved had turned and gone.
 \q My heart sank when he spoke. \f + \ft The ancient Greek and Latin translations and other ancient translations of the Hebrew copies reads \fqa he turned away \fqa* . \f*
-\q I looked for him, but I did not find him;
+\q2 I looked for him, but I did not find him;
-\q I called him, but he did not answer me.
+\q2 I called him, but he did not answer me.
 
 \s5
 \q
-\v 7 The watchmen found me as they were making their rounds in the city.
+\v 7 The watchmen found me
+\q2 as they were making their rounds in the city.
 \q They struck me and wounded me;
-\q the guards on the walls took my cloak away from me.
+\q2 the guards on the walls took my cloak away from me.
 
 \s5
-\p
 \q
 \v 8 I want you to swear, daughters of Jerusalem,
-\q that if you find my beloved—
+\q2 that if you find my beloved—
 \q What will you make known to him?—
-\q that I am weak with love.
+\q2 that I am weak with love.
 
 \s5
 \p
 \q
 \v 9 How is your beloved better than another beloved man,
-\q most beautiful among women?
+\q2 most beautiful among women?
 \q Why is your beloved better than another beloved,
-\q that you ask us to take an oath like this?
+\q2 that you ask us to take an oath like this?
 
 \s5
 \p
 \q
 \v 10 My beloved is radiant and ruddy,
-\q outstanding among ten thousand.
+\q2 outstanding among ten thousand.
 \q
 \v 11 His head is the purest gold;
-\q his hair is curly and as black as a raven.
+\q2 his hair is curly and as black as a raven.
 
 \s5
 \q
 \v 12 His eyes are like doves beside streams of water,
-\q bathed in milk, mounted like jewels.
+\q2 bathed in milk, mounted like jewels.
 
 \s5
 \q
 \v 13 His cheeks are like beds of spices,
-\q yielding aromatic scents. \f + \ft The Hebrew text: \fqa yielding aromatic scents. \fqa* This phrase may possibly be read as: \fqa garden beds made of balsam \fqa* . \f*
+\q2 yielding aromatic scents. \f + \ft The Hebrew text: \fqa yielding aromatic scents. \fqa* This phrase may possibly be read as: \fqa garden beds made of balsam \fqa* . \f*
-\q His lips are lilies, dripping with myrrh.
+\q His lips are lilies, 
+\q2 dripping with myrrh.
 
 \s5
 \q
 \v 14 His arms are rounded gold set with jewels;
-\q his abdomen is ivory covered with sapphires.
+\q2 his abdomen is ivory covered with sapphires.
 
 \s5
 \q
 \v 15 His legs are pillars of marble, set on bases of pure gold;
-\q his appearance is like Lebanon, choice as the cedars.
+\q2 his appearance is like Lebanon, choice as the cedars.
 
 \s5
 \q
 \v 16 His mouth is most sweet;
-\q he is completely lovely.
+\q2 he is completely lovely.
 \q This is my beloved, and this is my friend,
-\q daughters of Jerusalem.
+\q2 daughters of Jerusalem.
 
 \s5
 \c 6
 \p
 \q
 \v 1 Where has your beloved gone,
-\q most beautiful among women?
+\2q most beautiful among women?
 \q In what direction has your beloved gone,
-\q so that we may seek him with you?
+\q2 so that we may seek him with you?
 
 \s5
 \p
 \q
 \v 2 My beloved has gone down to his garden,
-\q to the beds of spices,
+\q2 to the beds of spices,
-\q to graze in the garden and to gather lilies.
+\q2 to graze in the garden and to gather lilies.
 \q
 \v 3 I am my beloved's, and my beloved is mine;
-\q he grazes among the lilies with pleasure.
+\q2 he grazes among the lilies with pleasure.
 
 \s5
 \p
 \q
 \v 4 You are as beautiful as Tirzah, my love,
-\q as lovely as Jerusalem,
+\q2 as lovely as Jerusalem,
-\q as awe-inspiring as an army with its banners.
+\q2 as awe-inspiring as an army with its banners.
 
 \s5
 \q
 \v 5 Turn your eyes away from me,
-\q for they overwhelm me.
+\q2 for they overwhelm me.
 \q Your hair is like a flock of goats
-\q going down from the slopes of Gilead.
+\q2 going down from the slopes of Gilead.
 
 \s5
 \q
 \v 6 Your teeth are like a flock of ewes
-\q coming up from the washing place.
+\q2 coming up from the washing place.
 \q Each one has a twin,
-\q and none among them is bereaved.
+\q2 and none among them is bereaved.
 \q
 \v 7 Your cheeks are like pomegranate halves
-\q behind your veil.
+\q2 behind your veil.
 
 \s5
 \p
 \q
 \v 8 There are sixty queens, eighty concubines,
-\q and young women without number.
+\q2 and young women without number.
 \q
 \v 9 My dove, my perfect one, is the only one;
-\q she is the only daughter of her mother;
+\q2 she is the only daughter of her mother;
-\q she is the pure child of the woman who bore her.
+\q2 she is the pure child of the woman who bore her.
 \q The young women saw her and called her blessed;
-\q the queens and the concubines saw her also, and they praised her:
+\q2 the queens and the concubines saw her also, and they praised her:
 
 \s5
 \p
 \q
 \v 10 "Who is this who appears like the dawn,
-\q as beautiful as the moon,
+\q2 as beautiful as the moon,
 \q as pure as the sun,
-\q as awe-inspiring as an army with its banners?"
+\q2 as awe-inspiring as an army with its banners?"
 
 \s5
 \p
 \q
 \v 11 I went down into the grove of nut trees
-\q to see the young growth in the valley,
+\q2 to see the young growth in the valley,
 \q to see whether the vines had budded,
-\q and whether the pomegranates were in bloom.
+\q2 and whether the pomegranates were in bloom.
 \q
-\v 12 I did not know when
+\v 12 I did not know when my soul placed me
-\q my soul placed me
+\q2 on the chariots of my noble people.
-\q on the chariots of my noble people.
 
 \s5
 \p
 \q
 \v 13 Turn back, turn back, you Shulammite! \f + \ft The meaning of Shulammite is uncertain. It may mean \fqa you perfect woman \fqa* or \fqa you woman from Shulam \fqa* . \f*
-\q Turn back, turn back so that we may gaze on you!
+\q2 Turn back, turn back so that we may gaze on you!
 \p
 \q Why do you gaze on the Shulammite,
-\q as if on the dance of Mahanaim? \f + \ft The meaning of Mahanaim is uncertain. It may be the name of a place or "two armies." Two of the possible meanings of this last phrase of verse 13 are \fqa on the dance of Mahanaim \fqa* and \fqa on the dance between two armies \fqa* . \f*
+\q2 as if on the dance of Mahanaim? \f + \ft The meaning of Mahanaim is uncertain. It may be the name of a place or "two armies." Two of the possible meanings of this last phrase of verse 13 are \fqa on the dance of Mahanaim \fqa* and \fqa on the dance between two armies \fqa* . \f*
 
 \s5
 \c 7